Fall Ready-to-Wear ’18 in Illustration

What better way to celebrate the release of our favourite luxury designers’ Fall 2018 Ready-to-Wear collections than with a few fashion illustrations?

From Chanel’s breath-taking set design (with Karl Lagerfield transforming the Grand Palais into a living, breathing forest) to Alessandro Michele’s surreal, clinical vision for Gucci’s runway as an eerie laboratory, our imaginations were constantly challenged.


If converting a fashion runway into an intricate story complete with immersive sets and spectral invitations (I’m looking at Michele’s ticking bomb) is the magic of now, then surely  it’s the duty of attendees and the media to respond with equally creative measures, if only to prolong those last few sparks of excitement.

I’ve rounded up a handful of personal highlights from the Autumn collections and given them a splash of watercolour. First up, my all-time favourite maison de mode: Christian Dior.  

Maria Grazia Chiuri focused her 2018 fall ready-to-wear collection on the theme of student protest, drawing inspiration from ’60s, the same year Dior released its first ready-to-wear line. The set this year was covered in reproduced magazine covers and protest art of the 1960s, relevance lying in the current student protests against American politicians in the wake of several school shootings. According to Nicole Phelps at Vogue Runway, “Chiuri took up the clothes of the late ’60s—the crochets, the embroideries, the patchworks—and filtered them through Dior’s luxury lens.”


Christian Dior 



Tsumori Chisato 


Martin Grant


John Galliano


Christopher Esber




Body of Works

Everyone has a creative outlet, be it through painting masterpiece replicas of ‘Starry Night’ or simply writing your thoughts in a journal before you go to bed. I have a mixture of creative outlets that I frequently engage in, from teaching myself a new song on piano, going to dance and singing classes or even just writing a blog post.

Throughout year 11 and 12, my art teacher allowed me to express myself through the focus of ART. After a dozen written artist essays, two dozen experimental creative tasks and a handful of successful body of works, I realised that I had gradually developed and refined my own personal aesthetic. I recognised that all of my artworks had a consistent unity, and could be described using the same words: contemporary, superimposed, digital photography, water-colour, triptych, collage, environmental, shapeless…  

A body of work (BOW) is a collection of artworks an artist has produced that reflects their personal style, and here are just three of mine (one of which will be presented in GOMA later this year) :

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