What better way to celebrate the release of our favourite luxury designers’ Fall 2018 Ready-to-Wearcollections than with a few fashion illustrations?
From Chanel’s breath-taking set design (with Karl Lagerfield transforming the Grand Palais into a living, breathing forest) to Alessandro Michele’s surreal, clinical vision for Gucci’s runway as an eerie laboratory, our imaginations were constantly challenged.
If converting a fashion runway into an intricate story complete with immersive sets and spectral invitations (I’m looking at Michele’s ticking bomb) is the magic of now, then surely it’s the duty of attendees and the media to respond with equally creative measures, if only to prolong those last few sparks of excitement.
I’ve rounded up a handful of personal highlights from the Autumn collections and given them a splash of watercolour. First up, my all-time favourite maison de mode: Christian Dior.
Maria Grazia Chiuri focused her 2018 fall ready-to-wear collection on the theme of student protest, drawing inspiration from ’60s, the same year Dior released its first ready-to-wear line. The set this year was covered in reproduced magazine covers and protest art of the 1960s, relevance lying in the current student protests against American politicians in the wake of several school shootings. According to Nicole Phelps at Vogue Runway, “Chiuri took up the clothes of the late ’60s—the crochets, the embroideries, the patchworks—and filtered them through Dior’s luxury lens.”
Every photograph posted on this blog is the phenomenal result of a Canon 550d camera. Recently, the clarity and blur on my lens had been out of whack, so I’ve turned to my canary yellow Instax mini polaroid to fulfil all of my shooting desires. There’s something a little bit sacred and heartwarming about polaroids: every shot is purposefully selected based on the aesthetics of the environment, the golden feeling in the moment or the significance of the event.
Brisbane struck lucky this weekend when the Finders Keepers markets overtook Bowen Hill’s old museum in a blur of flowers, handmade jewelry, prints and home-ware. The Australian Design and Art markets are ultimately a gathering of good food, good music, and good people, surrounded by unsurpassable stalls boasting unique treasures. From amethysts growing plants to wooden clouds providing frames for colourful prints, everywhere you looked there was bound to be something to catch your eye. I captured my favourite portions of Finders Keepers on camera, but to really grasp an understanding of the relaxed, sunny atmosphere, keep up to date on when these stellar markets are next hitting up Brisbane and follow the Finders Keepers Instagram: @finders_keepers.
Featuring: terrariums by bella // the grassy bowl // hello miss may // dear mabel // bespoke letterpress // ace of swords // core // erin lightfoot // alice nightingale
Early one Saturday morning, myself and 32 other art students gathered in Queensland’s Gallery of Modern Art (GOMA) awaiting the grand opening of our Creative Generation exhibition. The whole experience of seeing my artwork hung on the white walls of the most prestigious art gallery in Australia was completely surreal and overwhelming. It just goes to show that if you have the determination and passion, ANYTHING is achievable. Continue reading “5 Favourites: GOMA”→
Delve into the latest successful creative campaigns on Pozible, where Australian artists, musicians and film producers are promoting some seriously fantastic up-and-coming projects. Check out my top five recently funded campaigns. Continue reading “5 Favourites: Pozible”→
These photographs were taken as one of my many art experiments, demonstrating that while the hessian adds baggage to the subject, it also becomes the focal point of the images. Similarly, negative experiences add character to an otherwise clean slate of mind.
The Eternal Sunshine of the Spotless Mind is a multi-multi-genre movie (seriously, it’s a mix of romance, sci-fi, light comedy, drama… the list goes on) that essentially explores the possibility of erasing unpleasant memories from your mind. Directed by French film producer, Michael Gondry, It’s the kind of movie that leaves your thoughts in a muddle as you attempt to answer the myriad of complex questions it raises. The most obvious question that jumped out at me as the credits rolled was: if you could eliminate a person or an event from your life, would you? Of course, the movie itself leads to the answer of capital NO. Every experience or thought we possess, be it of happiness or hurt, allows us to learn valuable lessons, build character and shape who we are.
My photographs support this philosophy, as does an unfortunate incident I recently experienced.
The most terrifying moment of my life to date was the split-second when I realised I wouldn’t be able to prevent the car accident I was involved in. My heart lurched from my chest as the sickening crunch of plastic and the shattering of glass engulfed my senses, the airbags erupting in a riot of compressed gas and explosive charge. As a cloud of acrid smoke dispersed throughout the car, I reached for my door only to realise it was jammed shut. Again and again I pushed my weight against it, while it stubbornly refused to budge. Deflating in my seat, I admitted defeat and was reduced to a trembling mess as panicked tears spilled from my eyes.
After what felt like hours (but was only minutes) as smoke steadily flooded the enclosed car, someone wrenched my door open and I stumbled onto the street, gasping for air. The following hours involved hugging strangers, being interviewed by the police and tested by paramedics for injury. I carried a dark bruise in the shape of the Mazda symbol in my arm like a souvenir, even though my thoughts provided me with enough reminder.
Nevertheless, I would never choose to erase the incident. While a few more rays of sunshine might leak through my mind without it, I recognise that I’ve learnt a plethora of lessons, including:
Focus. Near the end of the movie, star-crossed lovers Clementine and Joel are sitting on a jetty, surrendering to the inevitable end of their relationship. Rather than stressing over their future, they choose to enjoy the moment they’re living in. The accident taught me to ignore my rambling thoughts and focus on remaining present.
The second lesson I learnt is that I belong here and I deserve to be here. I’ve always appreciated the very simple things, like watching clouds glide across the sky, but never my own existence in this universe. We are all here for a reason, even if mine is nothing more than making drama class easier for the little shy girl by holding her hand.
Materialism matters so little in the end. The number one priority was whether all of the passengers were safe, because “cars are replaceable, you are not.” Your life isn’t measured in dollars or the number of boats you own, but rather in the times you smile and the people you love.
Eternal Sunshine of the Spotless Mind teaches us that no matter how horrific the situation or heartbreaking the relationship, we should feel honoured to relish the privilege of feeling such emotions, because to ache is to be alive. A spotless mind may be eternal sunshine, but don’t we all crave the moonlight every now and again?
Everyone has a creative outlet, be it through painting masterpiece replicas of ‘Starry Night’ or simply writing your thoughts in a journal before you go to bed. I have a mixture of creative outlets that I frequently engage in, from teaching myself a new song on piano, going to dance and singing classes or even just writing a blog post.
Throughout year 11 and 12, my art teacher allowed me to express myself through the focus of ART. After a dozen written artist essays, two dozen experimental creative tasks and a handful of successful body of works, I realised that I had gradually developed and refined my own personal aesthetic. I recognised that all of my artworks had a consistent unity, and could be described using the same words: contemporary, superimposed, digital photography, water-colour, triptych, collage, environmental, shapeless…
A body of work (BOW) is a collection of artworks an artist has produced that reflects their personal style, and here are just three of mine (one of which will be presented in GOMA later this year) :